“A mix of beautiful acoustic tracks and inventive electronica, filled with insightful lyrics of loneliness and self-doubt. 4/5”
– Scottish Daily Express
“… intriguing and beautiful… an album that is both fragile, gentle and beguiling yet robust and striking in its beauty”
– Dancing About Architecture
“The tones he generates over the entire tape are gorgeous, angelic, fragile, ready to wisp away when you’re not paying attention.”
– Cassette Gods
Andrew Howie is a Scottish singer-songwriter, multi-instrumentalist, producer & community music tutor who has been writing, recording and releasing his own music for over two decades. He combines confessional & empathetic lyricism with acoustic instruments, noisy electronics & ambient textures to create introspective, hook-laden songs about uncertainty, doubt & love. You’ll usually find him either holed up in his home studio or playing in your living room.
From 2000 – 2013 he made a vast amount of music under the name Calamateur, releasing 5 albums and several EPs, singles and mini-albums, while receiving a good deal of radio play and critical acclaim along the way.
His 2015 album The Great Divide was the first to be released under his own name. It retained many of the characteristics of his work as Calamateur (guitar-based songs submersed in other-wordly electronica) but was a huge step-forward in terms of songwriting and production.
Since then he’s released the Victory EP, Scars Are Like A Beacon (an ambient reworking of The Great Divide), I Can Sing A Rainbow (another ambient album), Lonely Hummingbird (a collection of co-writes with American songwriters, including Rebecca Pronsky, Denison Witmer & Amy Allison), Solo Guitar Loops 1 & Solo Guitar Loops 2 (two collections of improvised electric guitar pieces), the electronica album Micronations and the accompanying Fragile EP.
His music has been used in BBC Three drama Lip Service, as well as in several short films. He has completed several songwriting commissions, including work for Refuweegee, Macmillan Tayside PEOLC Network Vox Liminis, The Falkirk Music Pot Project, Blythswood Trust and Inverness Old Town Art. As part of IOTA’s Street Texts project, the lyrics to one of his songs were permanently inscribed into a paving stone in one of the city’s main streets.
Andrew is also in demand as a songwriting and music tutor. Having gained an MA in Songwriting and Performance (made possible after winning The Gerry Rafferty scholarship) and a BA in Popular Music, he has worked with several schools, prisons and youth organisations throughout Central Scotland. You can read more about this here.